Shade Art Review

Shade Art Review

Venice Biennale Special: John Akomfrah

Dale Berning Sawa reviews John Akomfrah's British Council commission 'Listening All Night To The Rain'

Lou Mensah's avatar
Dale Berning Sawa's avatar
Lou Mensah
and
Dale Berning Sawa
Apr 21, 2024
∙ Paid
John Akomfrah Listening All Night To The Rain British Pavilion. 60th International Art Exhibition of La Biennale di Venezia 2024. Photo: Jack Hems

Even before I knew anything of John Akomfrah's British Council commission at the 2024 Venice Biennale, I loved it for its title: Listening All Night To The Rain. When I was born, my parents were renting a flat on a farm in northern South Africa. People working on the farm called me Pula, which means "rain" in Sesotho, because they said I'd made my parents as happy as rain in a dry place makes everyone. Of course waking up to the sound of it falling on the roof above my head feels as comforting as home.

But home isn't a comfort for everyone. Nor is every listener to rainfall doing so from under a roof.

Keep reading with a 7-day free trial

Subscribe to Shade Art Review to keep reading this post and get 7 days of free access to the full post archives.

Already a paid subscriber? Sign in
Dale Berning Sawa's avatar
A guest post by
Dale Berning Sawa
Freelance art and culture journalist (the Guardian, the Art Newspaper, the New York Times, the Financial Times, Plaster, the Quietus, the Times).
Subscribe to Dale
© 2025 Lou Mensah · Privacy ∙ Terms ∙ Collection notice
Start your SubstackGet the app
Substack is the home for great culture