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When Yinka Ilori Drew London to My Watford Refuge
On artistic clarity and cultural magnetism at The Grove Hotel last night
Aug 7
•
Lou Mensah
6
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When Yinka Ilori Drew London to My Watford Refuge
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2
July 2025
A Summer Pause (Kind Of)
For reading about: Black Britain beyond London, Paul Gilroy's photographic histories, Victorian portraits, artist mothers and the Saar family legacy
Jul 27
•
Lou Mensah
8
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A Summer Pause (Kind Of)
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4
Message #3 Adrian Piper 'The Mythic Being' (1973)
It's philosophical investigation not identity art.
Jul 23
•
Lou Mensah
3
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Message #3 Adrian Piper 'The Mythic Being' (1973)
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Five days with a First Nations Superhero in Arles
A festival diary exploring how one photograph of an Indigenous boy in a Captain America costume became the face of Europe's premier photography event
Jul 20
•
Lou Mensah
and
Greta Morton Elangué
5
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Five days with a First Nations Superhero in Arles
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4
Dennis Morris at the Photographers' Gallery, London.
From front page news at 11 to Island Records art director at 19, 'Music + Life' shows that the photographer is more than Marley and punk shots.
Jul 3
•
Lou Mensah
7
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Dennis Morris at the Photographers' Gallery, London.
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June 2025
Back to Shooting
A different type of post today. I’m keeping it brief and visual.
Jun 29
•
Lou Mensah
7
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Back to Shooting
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2
Debating the Dandy: Reflections on Vogue’s May/Met Issue shot by Malick Bodian
Guest post by Chloé Hirschman
Jun 15
•
Lou Mensah
7
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Debating the Dandy: Reflections on Vogue’s May/Met Issue shot by Malick Bodian
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Message #2 Deana Lawson's 'Oath' (2013)
This isn’t voyeurism. It's Black visual cosmology.
Jun 12
•
Lou Mensah
11
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Message #2 Deana Lawson's 'Oath' (2013)
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May 2025
Message #1 Jean-Michel Basquiat 'Irony of Negro Policeman' (1981)
When 'Raw Talent' Means Institutional Blindness
May 29
•
Lou Mensah
7
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Message #1 Jean-Michel Basquiat 'Irony of Negro Policeman' (1981)
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Black fatigue? The pivot to identity-free Black art
When Black portraiture becomes too politically charged, the art world shifts to abstraction—but the power dynamics remain unchanged
May 25
•
Lou Mensah
51
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Black fatigue? The pivot to identity-free Black art
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7
Takenya Holness: 'The image is beautiful because the people are beautiful. Them just existing is beautiful.'
The London-based British Jamaican photographer documents life on her homeland island with grace and attentiveness
May 13
•
Dale Berning Sawa
and
Lou Mensah
8
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Takenya Holness: 'The image is beautiful because the people are beautiful. Them just existing is beautiful.'
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The Architect Was Always There
On the Spatial Poetics of Noah Davis’ Life’s Work
May 11
•
Lou Mensah
11
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The Architect Was Always There
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